Writing a song is much like being an author. Yes, we all have tools to write (everyone has a brain I hope!), but that doesnít all of a sudden make us best selling authors.
Authors work at their abilities, often every day. The prime goal of an author is the same as a musician, which is to emotionally connect with the reader in some way or another. Writers do this by using motivation, chararacterization, and powerful word combinations among other things. Composers, like authors, have a lot in common. Our main goal is to connect with the listener emotionally.
If our main goal is to connect emotionally, we should want to have as many tools as we possibly can to achieve that goal.
The more abilities that we have, the more choices we can make musically. Itís important to have a wide arsenal of choices at your disposal, because if we keep doing the same Ďtried and trueí methods, their emotional effects will wear off as the songwriting becomes caged into a predictable movement.
If you are making music for other people, you will have to be aware of how people relate to it.
It is like this: when you are a computer genius and you want to tell someone how to fix their computer, you have to speak in their terms so they can understand what the heck you are saying.
If you speak in your lingo, you will most likely lose them in techno-talk. Another example is the author. He can write a story with the largest, most sweeping words he knows- but if the reader does not know what those words mean, the entire meaning gets lost.
Overcomplicated songs will lose the average listener.
Now, other hardcore musicians will greatly appreciate your abilities and probably get more feeling from it- but the common person will most likely not be able to follow.
Once again you should ask yourself when you write a song: Who am I making this music for and will they be able to relate?
Not to say that you canít invigorate your mind again, but it is saying that it is harder to do so. Just like weight lifting. If you havenít worked out in awhile, it is quite hard to lift as much as you did when you were lifting every day.
So this is my first suggestion. Practice. Iím not talking about technical ability this time (although you should practice that too!). Iím saying that you should practice making new songs. Make a goal to make 1 new song every week, even if it is only 50 seconds long.
It is the fact that you are working your brain out. Once you begin the song, you can latch onto ideas rather quickly. That is not the purpose of the exercise.
The purpose is to get your brain to find new avenues by exploring different ideas. Itís about trying something new every time.
Find parts in your lead passage that really hook you. Now delete all the other parts. Now build off of the hook. Get it? Computers cannot find hooks, but your ear can. If you canít feel anything interesting from a part, get rid of it.
Unless of course you want to have a ďboringĒ part to build into something grand! Thereís a nice strategy.
I have come up with very creative ideas that really didnít work with the song I was currently composing.
Donít mess up your song by trying to fit it in! If you can fit it in and it feels right to put it there- good shot! If it doesnít- well then you have an idea for your next song to go! Remember, the songís opinion is better than yours!
Just because you got a new toy, does not mean every song needs to have it! There, I said it. Just because you get a wah-wah pedal for your guitar, now every song you make after that needs to have a wah-wah??
I think not!
Think about what the song needs not what you want. The both of you might have varying opinions. When you make the music bigger than you are, then youíll understand what I mean- it tends to have a mind of its own.
The more I do in my life, the more I can write music about- new experiences. Sometimes just getting out of the house and doing something you havenít done in a long time (or never done!) can open up the doors to musical inspiration.
Open up a photo album, read old letters, visit family, friends, go do an activity, do anything but music! Read poetry, watch ballet, go see a movie, walk around in a museum, look at oil paintings and sculptures- these are all different forms of art. Music is an art form too.
Sometimes other forms of art can be inspiring to the musician. Come back, after your mind has been freed, and try to write a song about it.
Throughout the excitement, we can make good mistakes. We hit the wrong key, and all of a sudden, our mind is opened to a new avenue. Mistakes can be good things, because it is an unexpected thing. I think the best music sounds familiar enough to know where it is going, but unpredictable enough to avoid musical clichťs!
If you donít have an inspiration, sometimes just Ďplaying aroundí is a good answer!
The best way to be able to attack a song from every angle is to have as many techniques and styles as possible. Your talent will tell you which ones would work for your song.
Learn country, rock, alternative even try polka! Learn as much as you can. There might be a place to use that knowledge somewhere in the future!
Just because you found a winning formula, that may only work for that particular song.
Try different avenues.
There are artists that you hear (even on the radio) that seem to have all of their songs to sound alike. Be creative.
Knowledge of the rules of music can be a great thing- if you also know that itís okay to break them. If you stay theoretically sound, you may have a generic sound.
Dissonance can be a powerful tool.
The reason why refraining this can help your songwriting is because when you stop comparing to the outside world, you can learn from them. Maybe the guitarist isnít the most technically sound, but maybe he can fingerpick like you wouldnít believe.
Learn from his strengths so they can be yours too. Examine his style and abilities and see if there isnít something you canít learn from him.
Examine the style, the mixing, how the entire song is constructed, when each instrument blends in and out of the mix, etc. etc.
Youíll find that many times you can get ideas from other artists. Iím not saying steal their riffs (but go ahead if it makes you feel better) but you can take some of their ideas and blend them into your own style.
Steal an idea and then bend it to the inner workings of your mind!
When youíre next to a lake, you probably get the feeling of relaxation.
When youíre at a concert, I doubt you will feel so relaxed.
Where you are can impact your music.
If you are lucky enough to have your own private place in your home to play music, you most likely have it decorated with posters or something that puts you in the mood. If you donít... try it! I had a guy tell me that he couldnít write a song unless he turned off all of his lights except for one... and it was blue.
If you create an atmosphere, it will most likely affect your music. When you are in a store you act differently than at home. Even your kitchen will invoke a different type of feeling than your living room. No doubt about it..
Try to get a room that can match your musical personality and write there. Test out different places. I, personally, write my music in the dark. No blue light here.
To exercise your mind, you have to work it to its full capacity. Back to weight lifting, if you can curl 45-lbs, donít settle for 20 lbs one day. You wonít get stronger.
Half-hearted songs donít count in my opinion. Playing around is nice and all, but your ultimate goal should be to write a song like youíve written before. It is how we expand as musicians. Writing songs with methods that weíve done before is like lifting 20 lbs.
Using new ideas and methods, that our mind would have only thought of because weíve mastered the old- thatís your 45 pounder!
Keep it fresh! Donít fall into the habit of generic music!!!
For example, my idea might be: well what if I wrote a dance song with a heavy guitar?
What if I wanted to write a song uses a distortion over drums? Ideas donít always evolve into songs, but they help you be creative!
The important thing is that since they are ideas (kind of like a hypothesis) you shouldnít come to a conclusion till you have tried it.
In other words, if you have an idea that running distortion over drums would sound cool over a love song, and when you try it- you may tell yourself... ďno- distortion with drums sounds good on a hard rock song.Ē
I take compliments more to heart from strangers who like my music. The most important thing is that you like the music. Will others like it as well? Maybe, maybe not.
If they offer suggestions, consider them... There is no right or wrong way to write a song. There are only songs that people can and canít relate to. And Iím sure that almost any song that was ever made could probably relate to at least 1 other person in this world.
Use words that people use everyday.
Why? Because if those same words are used in just an everyday conversation, it will remind that listener of your song.
For instance, if I said ďI was outside last night and saw a twinkle twinkle little starĒ, immediately that song pops into your mind. Of course no one would talk like that, so if you mold your song around an everyday phrase, then it will remind people of your song easier. Just think of Staind, ďItís been awhileĒ. Every time someone says that phrase it reminds me of that song.
Just think of this: Food is your bodyís fuel. Without fuel, your body wants to shut down. That is why people who arenít healthy are tired more often.
When youíre in shape, your metabolism will rise giving you an extra supply of energy that you can use to focus onto music or whatever.
Does that mean that if youíre out of shape and not eating right that you canít make good music? Of course not! But what I am saying is that if you do choose to eat right and get in shape, it will help you keep your focus and energy for a longer period of time.
I canít stress enough how different one feels when they choose to get in shape, but it really helps you psychologically, mentally and physically.
Why does that make it powerful?
Hooks need to be predictable and not predictable at the same time. If there is a degree of predictability then the listener will be able to relate to the song more quickly. For instance, how many of you have said in your mind, ďthat would be so cool if this song did this...Ē and then the song took the same direction you wanted it to go.
People have heard different artists use the exact same musical hooks and patterns, and if there is no unique twist then you will hear something like, ďthey copied (fill in the blank)ís song. Sounds just like it but with different words.Ē You will most likely want your song to have its own identity.
Think of the texture of a nylon string guitar as opposed to the texture of a steel string. Think of the texture of a piano, and the texture of a synth.
Some of the same melodies played with different textures can completely change a song.
A lot of metal songs sound like classical pieces when played on a classical guitar instead of an electric. The human voice sounds thicker with a chorus and reverb than a dry signal.
Textures can bring out the best and worst in a song. We pay great amounts of money to get the Ďbestí texture we possibly can. That is why people buy expensive musical equipment over cheap pawn shop items. Distortion has a huge variety of different tones and sounds.
Not every distortion pedal sounds the same.
Why? For texture. Donít keep using the same sounds, experiment with as many textures as you can. This is so important; Iím going to say texture 20 more times by the end of this tip. Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture Texture .
Guess what. People donít have fun making music all the time. Itís really sad.
If you donít believe me, think about all the people who have been upset because of something their band did to them. Revert to the very beginning, when you first realized that you loved to create music... and have fun!
About the Author
Ken Hill is a guitarist and keyboardist for the New Age band, Torchlight Creek.
If you have any comments, suggestions or ideas about this article, please be sure to e-mail him at firstname.lastname@example.org